The film tells about a platoon established reluctantly in World War II by US President Franklin D. Roosevelt with a secretly penetrating task to Germany to retrieve artworks from Nazi soldiers and return them back to true owner. This is a almost impossible task when this art treasure deep inside enemy defenses and the Nazi is ordered to destroy everything when the third Reich collapsed. How can these reluctantly agents – including directors, sculptors, and historians accustoming with Michelangelo artworks more than holding a gun – perform the task successfully?